Vyacheslav Inozemcev
the creator and permanent director of the Physical Theater "InJest" (until 2001 - the Theater-studio of pantomime “Jest”("Gesture"), the author and director of all theater productions - about 100 (from 1981). He worked more than 40 years as a mime, actor, director, theater teacher, choreographer in drama theaters and movie. A founder and Art Director of the International Physical Theater Festival "PlaStforma" in Minsk (2013-2021)
Birth: 20.04.1960, Minsk, Belarus
Viacheslav Inozemcev was studied: at the pantomime studio of Yuri Shulga (1977-79), the Minsk Institute of Culture (directing mass performances, 1979-83), at the courses of directors of pantomime theaters by Ilya Rutberg (Moscow, 1986-88)
Viacheslav Inozemcev teaches in the own Studio at the “InJest” theater in Minsk, conducts workshops abroad according to the original method "Dances of Animals", which combines psychophysical training, pantomime, improvisation, Butoh dance. He was the first in Belarus to start practicing the Butoh dance as a dancer, choreographer and teacher.
Worked in different state drama theaters of Belarus and Russia as a choreographer and stage director 1987-2017.
Contacts:
Mobile phone (+375 29) 3940803
inzhest66@gmail.com
inzhest.belorus.by
facebook/injesttheater
youtube
Performances links:
GENESIS
facebook
InJest Playlist
youtube
K Dnu Rozhdenija
youtube
Ghosts of Faust in OK16
youtube
Ki-No
youtube
Viacheslav Inozemcev was studied: at the pantomime studio of Yuri Shulga (1977-79), the Minsk Institute of Culture (directing mass performances, 1979-83), at the courses of directors of pantomime theaters by Ilya Rutberg (Moscow, 1986-88)
Viacheslav Inozemcev teaches in the own Studio at the “InJest” theater in Minsk, conducts workshops abroad according to the original method "Dances of Animals", which combines psychophysical training, pantomime, improvisation, Butoh dance. He was the first in Belarus to start practicing the Butoh dance as a dancer, choreographer and teacher.
Worked in different state drama theaters of Belarus and Russia as a choreographer and stage director 1987-2017.
Contacts:
Mobile phone (+375 29) 3940803
inzhest66@gmail.com
inzhest.belorus.by
facebook/injesttheater
youtube
Performances links:
GENESIS
InJest Playlist
youtube
K Dnu Rozhdenija
youtube
Ghosts of Faust in OK16
youtube
Ki-No
youtube
Member of many joint international projects
Curiosity about life in all its aspects, I think, is still the secret of great creative people.
Art laboratory "Ten Pen Chii" with Yumiko Yoshioka and Joachim Manger (Schloss Broellin, Germany-Japan, c 1999) - as Butoh dancer and teacher. Performances - “Test Labor Z0005” (2001), “Minus Alpha” (2002), “Ketsui” (2008), “Bi Ka” (2010), “Yokubo” (2012), “Konton” (2013). Festivals – “Ex…it!99”, “Resonant Wave”, “Fusion”, “Interdisciplinary workshop project”, etc.
“Teatr Formy” (Wroclaw) with Jozef Markocki (Poland, since 2007) - as an actor, director, teacher. Performances - "Slot" (2010), "Pandora" (2011), "Femina" (2021). Festivals - “Open Format” (Minsk, 2003), “Kinema” (Wroclaw, 2007, 2009, 2010), “Stream” (Wroclaw, 2011, 2013, 2016) the workshop project “Mime Academy” (Wroclaw, 2007-2017), “PlaStforma” (Minsk, 2013-2015, 2018)
"Things-Time-Theatre" - (1998-1999, Bonn, Amsterdam) with "Die Raben" (Germany), "Warner&Consorten" (Netherland)
“Su-En Butoh Company” (Sweden) – 2000-2004 Minsk, Stockholm
and others.
and others.
Physical Theater "InJest"
Curiosity about life in all its aspects, I think, is still the secret of great creative people.
The oldest and so far, unfortunately, the ONLY ONE INDEPENDENT ART PROJECT IN BELARUS, WHICH IS MORE THAN 40 YEARS WORKING STEADILY AND SUCCESSFULLY in direction of Modern Mime Theater, the Physical Theater, and also – (for the first time in Belarus!) - in direction of "Street Theater" (Outdoor Theater), "Spatial Dramaturgy" (Site Specific Performance), Butoh dance. Created in Minsk in 1980 by students of the Institute of Culture under the leadership of Vyacheslav Inozemtsev, until 2001 - Pantomime Theater Studio “Jest” ("Gesture").
Participated in many festivals and international projects in Belarus, Russia and Europe.
The initiator and organizer of the festivals of physical theaters in Minsk ("Blazan" 1987-89, "X-Tradition" 2001-2002, “Open Format” 2002-03, “PlaStforma” 2013-2017).
"Theatre "InJest "- a phenomenon in the Belarusian theater art unusual. For this is the only team in the capital, which can be called truly experimental. The performances of the theater are made up of a diverse palette of symbols, metaphors and subtexts. Theatre without words attracts not only original directorial, stage design finds and true. The truth about our time, about ourselves"
"For the past 30 years have to InJest in one form or another to deal with a variety of bureaucratic and financial difficulties, to create a new language of theatrical gesture -" Another gesture. "
"InJest offers his particular vision of the crossroads of cultures, which is possibly Belarus. Their theatrical influence eclectic: from ancient Chinese philosophy and Japanese Butoh dance to comedy del'arte, Dada and Beckett's theater of the absurd. But they're doing something new. In contrast to the rest of the contemporary art of Belarus, Inzhest very persistent in his expression dark and offers something more. For them the body - is the center of concentration of pain, but also a source of hope"
(From the press in different years)
Participated in many festivals and international projects in Belarus, Russia and Europe.
The initiator and organizer of the festivals of physical theaters in Minsk ("Blazan" 1987-89, "X-Tradition" 2001-2002, “Open Format” 2002-03, “PlaStforma” 2013-2017).
"Theatre "InJest "- a phenomenon in the Belarusian theater art unusual. For this is the only team in the capital, which can be called truly experimental. The performances of the theater are made up of a diverse palette of symbols, metaphors and subtexts. Theatre without words attracts not only original directorial, stage design finds and true. The truth about our time, about ourselves"
"For the past 30 years have to InJest in one form or another to deal with a variety of bureaucratic and financial difficulties, to create a new language of theatrical gesture -" Another gesture. "
"InJest offers his particular vision of the crossroads of cultures, which is possibly Belarus. Their theatrical influence eclectic: from ancient Chinese philosophy and Japanese Butoh dance to comedy del'arte, Dada and Beckett's theater of the absurd. But they're doing something new. In contrast to the rest of the contemporary art of Belarus, Inzhest very persistent in his expression dark and offers something more. For them the body - is the center of concentration of pain, but also a source of hope"
(From the press in different years)
Minsk, Belarus
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Curiosity about life in all its aspects, I think, is still the secret of great creative people.
